Halt! Remembering the Holocaust Artwork by G. Roy Levin The use of boxes/crates as the medium is meant to remind the viewer of the railroad box cars. The wood is literally trash -- broken, cracked, could fall apart -- adds to the meaning of images which are about a vision of people as disposable as trash. While serving on the faculty of Goddard College in 1980, G. Roy Levin received a fellowship from the National Endowment for the Humanities which resulted in a book containing interviews with documentary filmmakers. Through this research, he came upon the documentary Shoah directed by Claude Lanzmann. He began to create artwork based on images from the film using various mediums. Levin started with paintings in color using discarded fruit and vegetable crates with wire and unframed canvases. He eventually switched to black and white photographs on boxes, reminiscent of the railroad cars that carried passengers to the concentration camps. The light in his paintings has a shimmering quality so that remembering becomes an “act of empathy and compassion for the unspeakable pain that was endured by so many.” Levin wanted his paintings to not necessarily show what the Holocaust was like, but to stimulate the viewer’s imagination to think about what it was like.